Articles Ethnic Studies

Retelling our Selves: Collective Memory and the Body in Charlotte Watson Sherman's One Dark Body

Vol.32,
No.2,
(1998),
pp 317-329

Retelling Our Selves: Collective Memory and theBody in Charlotte Watson Sherman's One Dark Body African American...

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History, Myth, and Revolt in Lorraine Hansberry's Les Blancs

Vol.32,
No.2,
(1998),
pp 273-283

History, Myth, andRevolt inLorraine Hansberry's Les Blancs Lorraine Hansberry began drafting Les Blancs (The...

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Tip-Toeing on the Tightrope: A Personal Essay on Black Writer Ambivalence

Vol.32,
No.2,
(1998),
pp 285-291

Tip-Toeing on the Tightrope: A Personal Essay on Black Writer Ambivalence Adrum roll roared, a crowd hissed, cymbals...

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Enacting Difference: Marita Bonner's Purple Flower and the Ambiguities of Race

Vol.32,
No.3,
(1998),
pp 469-480

Enacting Difference: Marita Bonner's Purple Hower and the Ambiguities of Race Setting: The stage is divided...

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An Interview with Brent Wade

Vol.32,
No.3,
(1998),
pp 427-433

An Interview with Brent Wade In the summer of 1994, during the National Black Arts Festival held in Atlanta, Brent...

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0
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Views: 463
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Looking into the Self that is no Self: An Examination of Subjectivity in Beloved

Vol.32,
No.3,
(1998),
pp 415-426

Looking Into the Self That Is No Self: AnExamination of Subjectivity in Beloved In a 1989 interview with Bonnie...

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0
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Views: 820
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"The World in a Jug and the Stopper in Her Hand": Their Eyes as Blues Performance

Vol.32,
No.3,
(1998),
pp 401-414

"The World in a Jugand the Stopper in [Her] Hand": TheirEyes as Blues Performance In her essays and...

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0
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Views: 1,892
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"Kin' o' Rough Jestice Fer a Parson": Pauline Hopkins's Winona and the Politics of Reconstructing History

Vol.32,
No.3,
(1998),
pp 445-460

"kinf of rough jestice fer a parson": Pauline Hopkinsfs Winonaand the Politics of Reconstructing History It...

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0
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Views: 570
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Divided Images: Black Female Spectatorship and John Stahl's Imitation of Life

Vol.32,
No.3,
(1998),
pp 481-491

Divided Images: Black Female Spectatorship and John Stahl's Imitation of Lifie In her discussion of the maternal...

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0
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Views: 1,687
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Nella Larsen's Passing and the Fading Subject

Vol.32,
No.3,
(1998),
pp 373-386

Nella Larsen's Passing and the Fading Subject . . . Irene Redfield wished, for the first time in her life, that...

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Saint's Progeny: Assotto Saint, Gay Black Poets, and Poetic Agency in the Field of the Queer Symbolic

Vol.33,
No.3,
(1999),
pp 507-518

Saint's Progeny: Assotto Saint, Gay Black Poets, and Poetic ~~enc~in the Field of the Queer Symbolic agency is the...

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"Payin' One's Dues": Expatriation as Personal Experience and Paradigm in the Works of James Baldwin

Vol.33,
No.1,
(1999),
pp 135-148

"Payin' One's Dues": Expatriation as Personal Experience and Paradigm in the Works of James Baldwin...

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Angularity: An Interview with Leon Forrest

Vol.33,
No.3,
(1999),
pp 439-450

Angularity:An Interview with Leon Forrest Leon Forrest was the author of four novels that effectively created an oral...

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Speaking in Tongues: An Interview with Science Fiction Writer Nalo Hopkinson

Vol.33,
No.4,
(1999),
pp 589-601

gin Tongues:An Interview with Science Fiction Writer Nalo Hop In 1998, Nalo Hopkinson joined the ranks of Black...

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The Failure of Competition in the Credit Card Market

Vol.81,
No.1,
(1991),
pp 50-81

The Failure of Competition in the Credit Card Market The bank credit card market, containing 4,000 firms and lacking...

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"Mislike Me Not for My Complexion...": Ira Aldridge in Whiteface

Vol.33,
No.2,
(1999),
pp 347-354

"* Ira "Mislike Me Not for My Complexion ... . Aldridge in Whiteface Ira Aldridge, the first important black...

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Poetry

Vol.33,
No.4,
(1999),
pp 676-677

Patrick Sylvain, a native of Port-au-Prince, Haiti, has lived in Massachusetts since 1981. He has authored seven books...

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Reading in Color: Children's Book Illustrations and Identity Formation for Black Children in the United States

Vol.32,
No.1,
(1998),
pp 95-105

Reading in Color: Children's Book Illustrations and Identity Formation for Black Children in the United States In...

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The Crisis of Black Theatre Identity

Vol.31,
No.4,
(1997),
pp 567-578

The Crisis of Black Theatre Identity We done sold Africa for the price of tomatoes. We done sold ourselves to the whi:...

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"Our Father, God; our Brother, Christ; or are We Bastard Kin?": Images of Christ in African American Painting

Vol.31,
No.2,
(1997),
pp 223-233

"Our Father, God; Our Brother, Christ; or are we bastard kin?":Images of Christ in African American Painting...

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An Interview with Brent Wade

Vol.32,
No.3,
(1998),
pp 427-433

An Interview with Brent Wade In the summer of 1994, during the National Black Arts Festival held in Atlanta, Brent...

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0
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Views: 463
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Enacting Difference: Marita Bonner's Purple Flower and the Ambiguities of Race

Vol.32,
No.3,
(1998),
pp 469-480

Enacting Difference: Marita Bonner's Purple Hower and the Ambiguities of Race Setting: The stage is divided...

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0
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Views: 1,181
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Tip-Toeing on the Tightrope: A Personal Essay on Black Writer Ambivalence

Vol.32,
No.2,
(1998),
pp 285-291

Tip-Toeing on the Tightrope: A Personal Essay on Black Writer Ambivalence Adrum roll roared, a crowd hissed, cymbals...

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0
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Views: 630
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History, Myth, and Revolt in Lorraine Hansberry's Les Blancs

Vol.32,
No.2,
(1998),
pp 273-283

History, Myth, andRevolt inLorraine Hansberry's Les Blancs Lorraine Hansberry began drafting Les Blancs (The...

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0
Votes:
Views: 1,538
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Retelling our Selves: Collective Memory and the Body in Charlotte Watson Sherman's One Dark Body

Vol.32,
No.2,
(1998),
pp 317-329

Retelling Our Selves: Collective Memory and theBody in Charlotte Watson Sherman's One Dark Body African American...

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0
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Views: 482
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Paule Marshall's Brown Girl, Brownstones: Reconciling Ethnicity and Individualism

Vol.32,
No.2,
(1998),
pp 305-315

Paule Marshall's Brown Girl,Brownstones: Reconciling Ethnicity and Individualism Edward Said claims that "...

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5
Votes: 100
Views: 7,667
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The Double Truth, Ruth: Do the Right Thing and the Culture of Ambiguity

Vol.32,
No.2,
(1998),
pp 215-227

The Double Truth,Ruth:Do theRight Zhhgand the Culture of Ambiguity In "Of Our Spiritual Strivings," the...

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Call-and-Response: Parallel "Slave Narrative" in August Wilson's The Piano Lesson

Vol.32,
No.2,
(1998),
pp 263-271

Call-and-Response: Parallel "Slave Narrative" in August Wilson's The Piano Lesson So much has been...

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"The Laws were Laid Down to Me Anew": Harriet Jacobs and the Reframing of Legal Fictions

Vol.32,
No.2,
(1998),
pp 229-245

"The laws were laid down to me anew": Harriet Jacobsandthe Reframing of Legal FictionsThe narrative of...

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"Love Me Like I Like to Be": The Sexual Politics of Hurston's Their Eyes were Watching God, the Classic Blues, and the Black Women's Club Movement

Vol.32,
No.2,
(1998),
pp 199-213

"Love me like I like to be": The Sexual Politics of Hurston's Their Eyes Were Watching God,the Classic...

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Views: 871
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History, Myth, and Revolt in Lorraine Hansberry's Les Blancs

Vol.32,
No.2,
(1998),
pp 273-283

History, Myth, andRevolt inLorraine Hansberry's Les Blancs Lorraine Hansberry began drafting Les Blancs (The...

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0
Votes:
Views: 1,538
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Tip-Toeing on the Tightrope: A Personal Essay on Black Writer Ambivalence

Vol.32,
No.2,
(1998),
pp 285-291

Tip-Toeing on the Tightrope: A Personal Essay on Black Writer Ambivalence Adrum roll roared, a crowd hissed, cymbals...

Rating:
0
Votes:
Views: 630
Comments:

Enacting Difference: Marita Bonner's Purple Flower and the Ambiguities of Race

Vol.32,
No.3,
(1998),
pp 469-480

Enacting Difference: Marita Bonner's Purple Hower and the Ambiguities of Race Setting: The stage is divided...

Rating:
0
Votes:
Views: 1,181
Comments:

An Interview with Brent Wade

Vol.32,
No.3,
(1998),
pp 427-433

An Interview with Brent Wade In the summer of 1994, during the National Black Arts Festival held in Atlanta, Brent...

Rating:
0
Votes:
Views: 463
Comments:

Looking into the Self that is no Self: An Examination of Subjectivity in Beloved

Vol.32,
No.3,
(1998),
pp 415-426

Looking Into the Self That Is No Self: AnExamination of Subjectivity in Beloved In a 1989 interview with Bonnie...

Rating:
0
Votes:
Views: 820
Comments:

"The World in a Jug and the Stopper in Her Hand": Their Eyes as Blues Performance

Vol.32,
No.3,
(1998),
pp 401-414

"The World in a Jugand the Stopper in [Her] Hand": TheirEyes as Blues Performance In her essays and...

Rating:
0
Votes:
Views: 1,892
Comments:

"Kin' o' Rough Jestice Fer a Parson": Pauline Hopkins's Winona and the Politics of Reconstructing History

Vol.32,
No.3,
(1998),
pp 445-460

"kinf of rough jestice fer a parson": Pauline Hopkinsfs Winonaand the Politics of Reconstructing History It...

Rating:
0
Votes:
Views: 570
Comments:

Divided Images: Black Female Spectatorship and John Stahl's Imitation of Life

Vol.32,
No.3,
(1998),
pp 481-491

Divided Images: Black Female Spectatorship and John Stahl's Imitation of Lifie In her discussion of the maternal...

Rating:
0
Votes:
Views: 1,687
Comments:

Nella Larsen's Passing and the Fading Subject

Vol.32,
No.3,
(1998),
pp 373-386

Nella Larsen's Passing and the Fading Subject . . . Irene Redfield wished, for the first time in her life, that...

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0
Votes:
Views: 5,458
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Zora Neale Hurston and the Post-Modern Self in Dust Tracks on a Road

Vol.32,
No.3,
(1998),
pp 387-399

Zora Neale Hurston and the Post-Modern Self in Dust Tracks on a Road In the last thirty-five years, Zora Neale...

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0
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Views: 1,964
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History, Myth, and Revolt in Lorraine Hansberry's Les Blancs

Vol.32,
No.2,
(1998),
pp 273-283

History, Myth, andRevolt inLorraine Hansberry's Les Blancs Lorraine Hansberry began drafting Les Blancs (The...

Rating:
0
Votes:
Views: 1,538
Comments:

Tip-Toeing on the Tightrope: A Personal Essay on Black Writer Ambivalence

Vol.32,
No.2,
(1998),
pp 285-291

Tip-Toeing on the Tightrope: A Personal Essay on Black Writer Ambivalence Adrum roll roared, a crowd hissed, cymbals...

Rating:
0
Votes:
Views: 630
Comments:

Enacting Difference: Marita Bonner's Purple Flower and the Ambiguities of Race

Vol.32,
No.3,
(1998),
pp 469-480

Enacting Difference: Marita Bonner's Purple Hower and the Ambiguities of Race Setting: The stage is divided...

Rating:
0
Votes:
Views: 1,181
Comments:

An Interview with Brent Wade

Vol.32,
No.3,
(1998),
pp 427-433

An Interview with Brent Wade In the summer of 1994, during the National Black Arts Festival held in Atlanta, Brent...

Rating:
0
Votes:
Views: 463
Comments:

Looking into the Self that is no Self: An Examination of Subjectivity in Beloved

Vol.32,
No.3,
(1998),
pp 415-426

Looking Into the Self That Is No Self: AnExamination of Subjectivity in Beloved In a 1989 interview with Bonnie...

Rating:
0
Votes:
Views: 820
Comments:

"The World in a Jug and the Stopper in Her Hand": Their Eyes as Blues Performance

Vol.32,
No.3,
(1998),
pp 401-414

"The World in a Jugand the Stopper in [Her] Hand": TheirEyes as Blues Performance In her essays and...

Rating:
0
Votes:
Views: 1,892
Comments:

"Kin' o' Rough Jestice Fer a Parson": Pauline Hopkins's Winona and the Politics of Reconstructing History

Vol.32,
No.3,
(1998),
pp 445-460

"kinf of rough jestice fer a parson": Pauline Hopkinsfs Winonaand the Politics of Reconstructing History It...

Rating:
0
Votes:
Views: 570
Comments:

Divided Images: Black Female Spectatorship and John Stahl's Imitation of Life

Vol.32,
No.3,
(1998),
pp 481-491

Divided Images: Black Female Spectatorship and John Stahl's Imitation of Lifie In her discussion of the maternal...

Rating:
0
Votes:
Views: 1,687
Comments:

Nella Larsen's Passing and the Fading Subject

Vol.32,
No.3,
(1998),
pp 373-386

Nella Larsen's Passing and the Fading Subject . . . Irene Redfield wished, for the first time in her life, that...

Rating:
0
Votes:
Views: 5,458
Comments:

Zora Neale Hurston and the Post-Modern Self in Dust Tracks on a Road

Vol.32,
No.3,
(1998),
pp 387-399

Zora Neale Hurston and the Post-Modern Self in Dust Tracks on a Road In the last thirty-five years, Zora Neale...

Rating:
0
Votes:
Views: 1,964
Comments:
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