Articles Ethnic Studies

Tom Feelings: A Black Arts Movement

Vol.32,
No.1,
(1998),
pp 119-124

Tom Feelings: A Black Arts Movement When I was eight years old, my Aunt Jean gave me a book that she had hoped would...

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John Henry: Then and Now

Vol.32,
No.1,
(1998),
pp 51-56

John Henry: Then and Now The legend of John Henry has a rich and varied background. More than a century old, it has...

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The Fourth Face: The Image of God in Toni Morrison's The Bluest Eye

Vol.32,
No.2,
(1998),
pp 293-303

The Fourth Face: The Image of God in Toni Morrison's The Bluest Eye Religious references, both from Western and...

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0
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Views: 1,884
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Beneath the Black Aesthetic: James Baldwin's Primer of Black American Masculinity

Vol.32,
No.2,
(1998),
pp 247-261

Beneath the Black Aesthetic: James Baldwin's Primer of Black American Masculinity It has become commonplace to...

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"In the Land of Cotton": Economics and Violence in Jean Toomer's Cane

Vol.32,
No.2,
(1998),
pp 181-198

"In the Land of Cotton": Economics and Violence in Jean Toomer's Cane Critics of Jean Toomer's Cane...

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0
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Views: 2,132
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"Love Me Like I Like to Be": The Sexual Politics of Hurston's Their Eyes were Watching God, the Classic Blues, and the Black Women's Club Movement

Vol.32,
No.2,
(1998),
pp 199-213

"Love me like I like to be": The Sexual Politics of Hurston's Their Eyes Were Watching God,the Classic...

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0
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Views: 868
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"The Laws were Laid Down to Me Anew": Harriet Jacobs and the Reframing of Legal Fictions

Vol.32,
No.2,
(1998),
pp 229-245

"The laws were laid down to me anew": Harriet Jacobsandthe Reframing of Legal FictionsThe narrative of...

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Views: 1,354
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Call-and-Response: Parallel "Slave Narrative" in August Wilson's The Piano Lesson

Vol.32,
No.2,
(1998),
pp 263-271

Call-and-Response: Parallel "Slave Narrative" in August Wilson's The Piano Lesson So much has been...

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Views: 1,173
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The Double Truth, Ruth: Do the Right Thing and the Culture of Ambiguity

Vol.32,
No.2,
(1998),
pp 215-227

The Double Truth,Ruth:Do theRight Zhhgand the Culture of Ambiguity In "Of Our Spiritual Strivings," the...

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Paule Marshall's Brown Girl, Brownstones: Reconciling Ethnicity and Individualism

Vol.32,
No.2,
(1998),
pp 305-315

Paule Marshall's Brown Girl,Brownstones: Reconciling Ethnicity and Individualism Edward Said claims that "...

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5
Votes: 100
Views: 7,665
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Incest and Intertextuality in Carolivia Herron's Thereafter Johnnie

Vol.31,
No.1,
(1997),
pp 91-103

Incest and Intertextualityin Carolivia Herron's Thereafter Johnnie How can those terrified vague fingers pushThe...

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Making Books Available: The Role of Early Libraries, Librarians, and Booksellers in the Promotion of African American Children's Literature

Vol.32,
No.1,
(1998),
pp 9-16

Making Books Available: The Role of Early Libraries, Librarians, and Booksellers in the Promotion of African American...

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From Midnight Robber

Vol.33,
No.4,
(1999),
pp 603-607

From Midnight Robber Quashee and Ione? Antonio felt jealousy turning like a worm in his belly. He didn't like the...

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Poetry

Vol.33,
No.4,
(1999),
pp 678-679

nia akimbo is a doctoral student in the School of Arts and Humanities at the University of Texas-Dallas. She writes...

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Poetry

Vol.33,
No.4,
(1999),
pp 674-675

Janice N. Harringtonis a librarian and professional storyteller who lives in Champaign, Illinois. Her story "The...

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"Come-to-Jesus Stuff" in James Baldwin's Go Tell it on the Mountain and The Amen Corner

Vol.31,
No.2,
(1997),
pp 295-301

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Reading Rice: A Local Habitation and a Name

Vol.31,
No.2,
(1997),
pp 269-279

Reading Rice: A Local Habitation and a Name Preamble: A Way In Nikky Finney, a South Carolinian Black woman, wrote...

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"Keepin' it Real": Walter Dean Myers and the Promise of African-American Children's Literature

Vol.32,
No.1,
(1998),
pp 125-138

"Keepin' It Real": Walter Dean Myers and the Promise of African-American Children's Literature Let...

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Up

Vol.31,
No.3,
(1997),
pp 455-462

(contains samples of program music, "Gangsta's Paradise," and The Baptism) Every night when the blues...

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"I'm not the Boy You Want": Sexuality, "Race," and Thwarted Revelation in Baldwin's Another Country

Vol.33,
No.2,
(1999),
pp 261-281

"I'mnot the boy you want": Sexuality, "Race," and Thwarted b eve la ti on in Baldwin's...

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"The Sea Ain' Got No Back Door": The Problems of Black Consciousness in Paule Marshall's Brown Girl, Brownstones

Vol.32,
No.4,
(1998),
pp 597-606

"The Sea Ain' Got No Back Door": The Problems of Black Consciousness in Paule Marshall's Brown Girl,...

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Views: 2,800
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Countée Cullen's Medea

Vol.32,
No.4,
(1998),
pp 621-634

Count6e Cullen's Medea Among modern versions of ancient classics, Countee Cullen's Medea is a particularly...

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Ishmael Reed's Inductive Narratology of Detection

Vol.32,
No.3,
(1998),
pp 435-444

Ishmael Reed's Inductive Narratology of Detection A Narratology of Free Voices Words walking without masters. (...

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Making Peace

Vol.32,
No.3,
(1998),
pp 461-468

Making Peace peace. In the round world there ain't nothing like it. Fields 1 green with corn and tobacco, rows of...

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Zora Neale Hurston and the Post-Modern Self in Dust Tracks on a Road

Vol.32,
No.3,
(1998),
pp 387-399

Zora Neale Hurston and the Post-Modern Self in Dust Tracks on a Road In the last thirty-five years, Zora Neale...

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Nella Larsen's Passing and the Fading Subject

Vol.32,
No.3,
(1998),
pp 373-386

Nella Larsen's Passing and the Fading Subject . . . Irene Redfield wished, for the first time in her life, that...

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Divided Images: Black Female Spectatorship and John Stahl's Imitation of Life

Vol.32,
No.3,
(1998),
pp 481-491

Divided Images: Black Female Spectatorship and John Stahl's Imitation of Lifie In her discussion of the maternal...

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Views: 1,685
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"Kin' o' Rough Jestice Fer a Parson": Pauline Hopkins's Winona and the Politics of Reconstructing History

Vol.32,
No.3,
(1998),
pp 445-460

"kinf of rough jestice fer a parson": Pauline Hopkinsfs Winonaand the Politics of Reconstructing History It...

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"The World in a Jug and the Stopper in Her Hand": Their Eyes as Blues Performance

Vol.32,
No.3,
(1998),
pp 401-414

"The World in a Jugand the Stopper in [Her] Hand": TheirEyes as Blues Performance In her essays and...

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Views: 1,885
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Looking into the Self that is no Self: An Examination of Subjectivity in Beloved

Vol.32,
No.3,
(1998),
pp 415-426

Looking Into the Self That Is No Self: AnExamination of Subjectivity in Beloved In a 1989 interview with Bonnie...

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Views: 818
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Tom Feelings: A Black Arts Movement

Vol.32,
No.1,
(1998),
pp 119-124

Tom Feelings: A Black Arts Movement When I was eight years old, my Aunt Jean gave me a book that she had hoped would...

Rating:
0
Votes:
Views: 784
Comments:

John Henry: Then and Now

Vol.32,
No.1,
(1998),
pp 51-56

John Henry: Then and Now The legend of John Henry has a rich and varied background. More than a century old, it has...

Rating:
0
Votes:
Views: 2,083
Comments:

The Fourth Face: The Image of God in Toni Morrison's The Bluest Eye

Vol.32,
No.2,
(1998),
pp 293-303

The Fourth Face: The Image of God in Toni Morrison's The Bluest Eye Religious references, both from Western and...

Rating:
0
Votes:
Views: 1,884
Comments:

Beneath the Black Aesthetic: James Baldwin's Primer of Black American Masculinity

Vol.32,
No.2,
(1998),
pp 247-261

Beneath the Black Aesthetic: James Baldwin's Primer of Black American Masculinity It has become commonplace to...

Rating:
0
Votes:
Views: 1,290
Comments:

"In the Land of Cotton": Economics and Violence in Jean Toomer's Cane

Vol.32,
No.2,
(1998),
pp 181-198

"In the Land of Cotton": Economics and Violence in Jean Toomer's Cane Critics of Jean Toomer's Cane...

Rating:
0
Votes:
Views: 2,132
Comments:

"Love Me Like I Like to Be": The Sexual Politics of Hurston's Their Eyes were Watching God, the Classic Blues, and the Black Women's Club Movement

Vol.32,
No.2,
(1998),
pp 199-213

"Love me like I like to be": The Sexual Politics of Hurston's Their Eyes Were Watching God,the Classic...

Rating:
0
Votes:
Views: 868
Comments:

"The Laws were Laid Down to Me Anew": Harriet Jacobs and the Reframing of Legal Fictions

Vol.32,
No.2,
(1998),
pp 229-245

"The laws were laid down to me anew": Harriet Jacobsandthe Reframing of Legal FictionsThe narrative of...

Rating:
0
Votes:
Views: 1,354
Comments:

Call-and-Response: Parallel "Slave Narrative" in August Wilson's The Piano Lesson

Vol.32,
No.2,
(1998),
pp 263-271

Call-and-Response: Parallel "Slave Narrative" in August Wilson's The Piano Lesson So much has been...

Rating:
0
Votes:
Views: 1,173
Comments:

The Double Truth, Ruth: Do the Right Thing and the Culture of Ambiguity

Vol.32,
No.2,
(1998),
pp 215-227

The Double Truth,Ruth:Do theRight Zhhgand the Culture of Ambiguity In "Of Our Spiritual Strivings," the...

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0
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Views: 1,602
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Retelling our Selves: Collective Memory and the Body in Charlotte Watson Sherman's One Dark Body

Vol.32,
No.2,
(1998),
pp 317-329

Retelling Our Selves: Collective Memory and theBody in Charlotte Watson Sherman's One Dark Body African American...

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0
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Views: 482
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Tom Feelings: A Black Arts Movement

Vol.32,
No.1,
(1998),
pp 119-124

Tom Feelings: A Black Arts Movement When I was eight years old, my Aunt Jean gave me a book that she had hoped would...

Rating:
0
Votes:
Views: 784
Comments:

John Henry: Then and Now

Vol.32,
No.1,
(1998),
pp 51-56

John Henry: Then and Now The legend of John Henry has a rich and varied background. More than a century old, it has...

Rating:
0
Votes:
Views: 2,083
Comments:

The Fourth Face: The Image of God in Toni Morrison's The Bluest Eye

Vol.32,
No.2,
(1998),
pp 293-303

The Fourth Face: The Image of God in Toni Morrison's The Bluest Eye Religious references, both from Western and...

Rating:
0
Votes:
Views: 1,884
Comments:

Beneath the Black Aesthetic: James Baldwin's Primer of Black American Masculinity

Vol.32,
No.2,
(1998),
pp 247-261

Beneath the Black Aesthetic: James Baldwin's Primer of Black American Masculinity It has become commonplace to...

Rating:
0
Votes:
Views: 1,290
Comments:

"In the Land of Cotton": Economics and Violence in Jean Toomer's Cane

Vol.32,
No.2,
(1998),
pp 181-198

"In the Land of Cotton": Economics and Violence in Jean Toomer's Cane Critics of Jean Toomer's Cane...

Rating:
0
Votes:
Views: 2,132
Comments:

"Love Me Like I Like to Be": The Sexual Politics of Hurston's Their Eyes were Watching God, the Classic Blues, and the Black Women's Club Movement

Vol.32,
No.2,
(1998),
pp 199-213

"Love me like I like to be": The Sexual Politics of Hurston's Their Eyes Were Watching God,the Classic...

Rating:
0
Votes:
Views: 868
Comments:

"The Laws were Laid Down to Me Anew": Harriet Jacobs and the Reframing of Legal Fictions

Vol.32,
No.2,
(1998),
pp 229-245

"The laws were laid down to me anew": Harriet Jacobsandthe Reframing of Legal FictionsThe narrative of...

Rating:
0
Votes:
Views: 1,354
Comments:

Call-and-Response: Parallel "Slave Narrative" in August Wilson's The Piano Lesson

Vol.32,
No.2,
(1998),
pp 263-271

Call-and-Response: Parallel "Slave Narrative" in August Wilson's The Piano Lesson So much has been...

Rating:
0
Votes:
Views: 1,173
Comments:

The Double Truth, Ruth: Do the Right Thing and the Culture of Ambiguity

Vol.32,
No.2,
(1998),
pp 215-227

The Double Truth,Ruth:Do theRight Zhhgand the Culture of Ambiguity In "Of Our Spiritual Strivings," the...

Rating:
0
Votes:
Views: 1,602
Comments:

Retelling our Selves: Collective Memory and the Body in Charlotte Watson Sherman's One Dark Body

Vol.32,
No.2,
(1998),
pp 317-329

Retelling Our Selves: Collective Memory and theBody in Charlotte Watson Sherman's One Dark Body African American...

Rating:
0
Votes:
Views: 482
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